It’s been awhile since I chronicled my adventures in the Big Apple so these span a rather large period of time.
A couple of weeks ago I saw Scott Mathews and his band play at the Glasslands Gallery. I hadn’t been to the venue before and I fell in love with the pure whimsy of the place; it feels like a fort out of Peter Pan’s Neverland. B’s friend Eugene, who I’ve mentioned in his role as DJ Eugene Tambourine, is part of the band; he and another band member opened as their side project- The Readers. It was their first show as The Readers and while they’re clearly not confident yet you can tell that they have talent. Scott Mathews on the other hand is the consummate performer- no lack of confidence there. He backs it up with interesting lyrics and a lot of raw emotion. They’re on tour in Europe at the moment but I would recommend checking them out upon their return.
Later that week I attended a very different sort of musical performance; I saw the St. Matthew Passion at BAM. S and I had stage seats, which was a really unique experience. I was close enough to touch the violinist in front of me and there was the somewhat disconcerting feeling that the whole audience was watching me; I was afraid to fidget throughout the 3 hour performance. This was the Jonathan Miller (Director) version – semi-staged, in the round, two choruses, two orchestras – sung in English (translation by Robert Shaw) (for more info on the St. Matthew Passion click here). The vocalists were incredible and I think the director’s choice to have them wear street clothing really added to my ability to connect with the piece. I couldn’t take pictures once the performance began but here’s a shot from the stage as people were taking their seats:
Last week I saw Brit Boras and the Cavalry play at Spike Hill. All four of them are incredibly talented musicians. I expect their performance will feel a bit tighter when they’ve played together more but you can already see that they have a huge quantity of potential. Brit has a very big voice for such a petite girl; it takes you by surprise. Liam Veuve is wonderful on the cello and both Alex Beckmann and Jay Goodmann bring talent to the table. They’ll be playing again May 24th at Mercury Lounge and I would definitely urge you to check them out.
This past Saturday my grandmother and I saw our first ballet of the spring season- Concerto Barocco (Bach/Balanchine), Tschaikovsky Pas de Deux (Tschaikovsky/Balanchine), La Valse (Ravel/Balanchine) and Symphony in Three Movements (Stravinsky/Balanchine). I vastly enjoyed all four though the Pas de Deux was definitely my favorite; I just adore how pairs of dancers move together.
Later that day I met up with JBM & Co. at the Bell House to watch the Kentucky Derby in style. It was hellishly crowded but many of the ladies were properly decked out in enormous hats, which made them amusing enough to tolerate the lack of breathing room. There wasn’t anything quite as fabulous as Audrey Hepburn’s hat in My Fair Lady, but hey, they don’t make hats like they used to…
I’m looking forward to attending another event there sometime soon.
On Monday I went to Solas for the St. Mark’s Bookshop reading I mentioned in my first post this week. Andrei Codrescu was vastly amusing and while I’m not sure I’ll read his book I certainly hope to see him read/perform on another occasion.
Tags: Bach, Balanchine, BAM, Brit Boras and the Cavalry, Eugene Tambourine, Glasslands Gallery, Jonathan Miller, Kentucky Derby, Mercury Lounge, New York City Ballet, Ravel, Robert Shaw, Scott Matthews, Solas, Spike Hill, St. Mark's Bookshop Reading Series, St. Matthew Passion, Stravinsky, The Bell House, Tschaikovsky